24mm F3.5 Full Frame Tilt Shift
24mm F3.5 Full Frame Tilt Shift
24mm F3.5 Full Frame Tilt Shift
24mm F3.5 Full Frame Tilt Shift
24mm F3.5 Full Frame Tilt Shift
24mm F3.5 Full Frame Tilt Shift
24mm F3.5 Full Frame Tilt Shift
24mm F3.5 Full Frame Tilt Shift

24mm F3.5 Full Frame Tilt Shift

SYTS24-C

Regular price $999.00 Sale price$599.00
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Mount

Model: SYTS24-C

UPC: 0-84438-76120-7

Focal Length: 24mm

Maximum Aperture: F3.5

Coverage: Full Frame (FX)

Optical Construction: 16 Glass elements in 11 Groups

Aperture Range: F3.5-22

Diaphragm Blades: 6

Coating: Ultra Multi-Coating

Minimum Focusing Distance: 7.87” (0.2m)

Filter Size: 82mm

Lens Hood: n/a

Maximum Diameter: 3.39” (86mm)

Weight: 23.5oz (667g)

Length: 4.33” (110mm)

Model: SYTS24-N

UPC: 084438761214

Focal Length: 24mm

Maximum Aperture: F3.5

Coverage: Full Frame (FX)

Optical Construction: 16 Glass elements in 11 Groups

Aperture Range: F3.5-22

Diaphragm Blades: 6

Coating: Ultra Multi-Coating

Minimum Focusing Distance: 7.87” (0.2m)

Filter Size: 82mm

Lens Hood: n/a

Maximum Diameter: 3.39” (86mm)

Weight: 22.8oz (647g)

Length: 4.21” (107mm)

Model: SYTS24-S

UPC: 0-84438-76122-1

Focal Length: 24mm

Maximum Aperture: F3.5

Coverage: Full Frame (FX)

Optical Construction: 16 Glass elements in 11 Groups

Aperture Range: F3.5-22

Diaphragm Blades: 6

Coating: Ultra Multi-Coating

Minimum Focusing Distance: 7.87” (0.2m)

Filter Size: 82mm

Lens Hood: n/a

Maximum Diameter: 3.39” (86mm)

Weight: 25.9oz (734g)

Length: 5.47” (139mm)

※ This product image is a Canon EF mount lens. Size and design may vary depending on the mount of a lens

The Samyang TSL 24mm F3.5 ED AS UMC is a wide-angle, full-frame lens fitted with the perspective control and tilt-shift functions. Similar to the tilt and swing movements of a view camera, a tilt-shift lens allows the user to control perspective and correct convergence of lines within the frame, which can be especially useful in architecture, landscape and product photography. The optical tilt mechanisms enable precise control of depth of field along with perspective control. It is compatible with both digital and film formats with an angle of view of 83.5º and on an APS-C size sensor has an angle of view of 59.9º and focal length equivalent of 36mm (Canon APS-C: 38.4mm/ 56.9º).

The tilt-shift function on the 24mm f/3.5 lens allows adjustment of the focal plane by an angle of +/-8.5º and enables parallel shift of the optical axis by +/-12mm. The Mount Rotation Lever enables the Tilt and Shift Sections as a combined unit to be rotated RIGHT up to 90 degrees (with 30 degree adjustment). The Tilt Rotation Lever enables the Tilt section to independently rotate LEFT by 90 degrees (with 30 degree adjustment).

The lens is comprised of 16 elements in 11 groups, including two Aspherical elements and two Extra Low Dispersion (ED) elements, which reduce aberrations and provide sharp details and accurate color separation. Multi-layered, anti-reflective UMC coating on each lens element provides even light transmission while minimizing flares and ghosting.

  • 24mm Full-Frame Prime Lens
  • Focal length equivalent when using lens on APS-C format camera is 36mm (Canon APS-C: 38.4mm)
  • Tilt/Shift functions allow for precise perspective and depth of field control
  • Aspherical and Extra Low Dispersion (ED) elements minimize aberrations for sharp resolution and accurate colors
  • UMC coating on lens elements provides even light transmission and minimizes reflections, flare and ghosting

User Manual Download

Specifications

SpecificationsTILT/SHIFT LENS 24mm F3.5 ED AS UMC
Aperture RangeF3.5 ~ 22
Optical Construction16 ELEMENTS IN 11 GROUPS (2 ASPHERICAL)
Minimum Focusing Distance0.2 m
Filter Size82mm
Maximum Diameter86mm
MountCanon EFNikon FSony E
Angle Of ViewFull Frame83.5˚83.5˚83.5˚
ASP-C56.9˚56.9˚56.9˚
LENGTH (mm)110mm107mm139mm
WEIGHT (g)667g647g656g
Lens Rotation- Maximum Tilt amount : ±8.5˚, Maximum Shift amount : ±12mm
- Between Tilt and Shift Rotation : 90˚ Left(click-stop for each 30˚ step)
- Mount Rotation 90˚ Right (click-stop for each 30˚ step)

MTF Chart

Optical Construction

Features

Tilt/Shift

You can produce images with exaggerated perspectives by adjusting the light of sight, which is unique to the tilt-shift lens. The depth of focus can be also adjusted to take photos with a feeling of "miniature". This is a very unique and mechanical lens, ideal for architecture and landscapes.

Aspherical Lens

With minimal spherical aberration and distortion, you can take pictures with incredible precision.

Minimized Flare and Ghost Effects with Ultra Multi Coating

By reducing the impact of flares and ghosting effects in your pictures while ensuring excellent image quality and contrast from the center to the periphery, it offers crystal clear, sharp image quality.

Smooth Focus Ring

Smooth focusing ensures precise control and produces images with incredible sharpness, making it the ideal choice for indoor and night shooting.

Sample Gallery

Customer Reviews

Based on 14 reviews
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(13)
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J
Jörg Schmidt-Korth
Gutes Preis/Leistungsverhältnis

das Objektiv funktioniert sehr gut an meiner Z System Nikon. Die Abbildungsleistung ist durchaus ordentlich, lediglich die sehr filigranen Knöpfe zu Verstellung stören etwas den Gesamteindruck.

D
DeVe
Excellent lens

Super sharp, easy to use and excellent for architecture and landscape.

M
Monte Grohn
This is fully manual but I'm used to that.

The optical structure is OK and the image quality is what you get with this kind of money but then again this is very good in it's own league.

C
Clavería
Buen objetivo

El objetivo es bueno, con excelente calidad de imagen y fácil de usar (si uno tiene cierto conocimiento/práctica con objetivos descentrables). El mecanismo de rotación funciona con suavidad y precisión. Si uno desea la mejor calidad de las posibles, obviamente hay otras opciones (Canon, en mi caso), pero la enorme diferencia de precio hace que solo compense si uno lo necesita para comer. Para un uso como aficionado avanzado no se puede pedir mucho más, la verdad.Como puntos menos fuertes a tener en consideración: los controles son pequeños, particularmente los de bloqueo; la pestaña para desbloquear la rotación del descentramiento está muy próxima al cuerpo de la cámara y puede costar utilizarlo hasta que uno conozca bien el objetivo; el anillo de enfoque (suave, grande, preciso) está pegado al de control de la apertura: como es necesario abrir ésta para enfocar bien, debe tenerse cuidado al volver a nuestra apertura para la toma para no tocar el anillo de enfoque inadvertidamente.En general, un objetivo con una relación calidad/precio extraordinaria, con pequeños detalles que podrían mejorar la usabilidad pero apenas perceptibles en relación con la complejidad técnica del tipo de fotografía que con él se va realizar.

K
Kindle Customer
THE SAMYANG F3.5 24MM TILT/SHIFT ED AS UMC

I have had this lens for less than 24hrs. I have never used a tilt/shift lens before but I read-up on them for two days before I received it. FIRST: YES THE LENS FITS BOTH A7R2 AND A7R3 (despite Amazon's confusion!). SECOND: BOTH BODIES WORK WITH THE LENS IN 'A' SETTING TO AUTOMATICALLY ADJUST EXPOSURE (the lens' instruction manual is not definitive on this topic). THIRDLY: IT IS NEARLY A THIRD OF THE PRICE OF CANON AND NIKON LABELLED TILT/SHIFT LENSES.I acquired this lens specifically to overcome converging verticals in architecture, art display and internal church photos.My first attempt was to use Shift to correct this distortion in wall hung art. Camera on tripod, level with wall and sensor vertical. Shift up, adjust aperture and focus, shoot Perfect. Far superior result from attempting post processing adjustment in Lightroom.Second attempt was to use horizontal Tilt to extend in-focus oblique shot of two paintings on the same wall 2 metres apart. Piece of cake. However I cannot imagine doing this more than once a year, if that. There are several clever stunts that you can carry out with this lens but I will consistently use it purely in correcting vertical distortion and for this the lens is worth its price.Is the lens as good as its £1,800 Canon/Nikon labelled lenses? Probably not. Is the competition worth three times the price? I am not tempted in the slightest, even if I could find a E Fit comparative lens.I am delighted with this lens and if I have any further comment after extended use I will amend this brief review.I will add that this lens is an extremely complex piece of machinery and if you are heavy handed best not risk it.One review I read remarked that after a short while one views distorted photos with an ever greater critical eye. I look forward to that time. For copyright reasons I have not included photos. May do so later.